4.25.2011
4.05.2011
3.09.2011
Elk, Washington
acrylic on masonite
It is the first painting I posted....
To answer my art friend's question, I don't have any real movement in my right hand...but it's coming!
Done with my left hand.
2.16.2011
Paper Head
1.21.2011
I'm back!
I'm back!
For those of you that don't know, I had a stroke October 14, 2010. I wasn't able to speak for a week, but I am working with a speech coach, and my right side was paralyzed, but I am getting better. I only use a wheel chair when I am going shopping, and I can also walk around my house without my cane. I work out every day: lift, swim, spin, and I go to physical therapy every other week.
The support has been amazing! Friends, people I don't know, and relatives have donated dinners, supported the Art Walk, posted on Facebook, helped give my kids rides to sports and school, and just shown up!
I have started to draw and paint, and even though my right side is paralyzed, all of the information is still in my head and I just have to train my left hand.
The picture I put up here is my work with my left hand....
9.22.2010
Portland Streetcar
7"x 5"
acrylic on masonite
sold
8.23.2010
Color Sketch For Shea Center Painting
5"x 7"
Acrylic on board
Here is a color sketch for a painting I'm doing for an auction for the Shea Center in San Juan Capistrano, CA.
"The Center's staff is highly skilled in developing and delivering therapeutic programs to address physical and cognitive challenges. We have treated more than 70 physical and cognitive challenges including: cerebral palsy, spinal cord and brain injury, muscular dystrophy, mental retardation, Down syndrome, multiple sclerosis, attention deficit disorder, autism spectrum disorders, and hearing and visual impairment."
Plus, my sister works there! ;)
The painting is of the open space in San Juan Capistrano and is done from a photo, with permission, from the Friends of Sam Allevato website.
8.04.2010
Finding Paintings In Random Photos - Girl In Surf
16"x 8"
acrylic on canvas
The little boy is harder to find, but he is also on the right side of this picture.
By taking random photos, I am able to capture spontaneous and natural postures that may only last a moment.
I am always excited to see what I have captured when I go searching through the photos after I've loaded them on my computer. I often find several moments to paint in each photo or combine elements from several photos.
Really, I'm not a very good photographer so I am THRILLED if I find something to paint! Taking 'random' photos is my cover for not taking 'good' photos! ;)
7.28.2010
6.15.2010
Where's The Balance?
acrylic on canvas
I was fortunate to be in two art shows, but needed to paint at least 10 pieces within a few weeks. I kept thinking, "I hope I can do this." "I hope this works".
That's why Seth Godin's blog post caught my eye:
" 'This better work'
... is probably the opposite of, "this might work."
"This better work," is the thinking of safety, of proven, of beyond blame.
"This might work," on the other hand, is the thinking of art, innovation and insight.
If you spend all day working on stuff that better work, you back yourself into a corner, because you'll never have the space or resources to throw some 'might' stuff into the mix. On the other hand, if you spend all your time on stuff that might work, you'll never need to dream up something that better work, because your art will have paid off long ago."
On the one hand, I was thankful for the shows and the deadline and the challenge to get the work done. I didn't have time to over think. I just painted. I produced more than I thought I could. In fact, I believe that two of my favorite pieces were the result of the time constraint. I was thinking, "this might work" and it did!
Yesterday, without a deadline looming over me, I found myself spending hours sifting through my photos, trying to decide on something to paint. Something that 'better work'. I looked and cropped and thought and doubted. Should I? Shouldn't I? Is it good?
I didn't get any painting done.
For me, there seems to be a fine line between having enough space to create the stuff that 'might' work (within which I find the stuff that 'does' work)
and
having TOO much space and time to, over think, over plan and never do.
Where's the balance?!
I need to use the time to paint and know that it 'might work' and if it doesn't, I still have time.
